THE UNDERGROUND PARTY ORGANISERS

HANDS UP IF YOU FIND THE LOCAL CLUBBING SCENE TOO COMMERCIAL, MUNDANE, PRETENTIOUS OR DEVOID OF TASTE.

Portrait of Tammy Strobel

HANDS UP IF YOU FIND THE LOCAL CLUBBING SCENE TOO COMMERCIAL, MUNDANE, PRETENTIOUS OR DEVOID OF TASTE. THEN FIND YOUR WAY TO THESE THREE INDEPENDENT POP-UP PARTIES WHOSE MASTERMINDS AIM TO BRING BACK FUN, PERSONAL STYLE AND A NO-RULES APPROACH TO A GOOD NIGHT OUT. KENG YANG SHUEN REPORTS.

SLASHERS

Started by: Artist Zhiyi Cao (opposite), 23, and rising DJ/music producer Guo Leibing (he was unable to make our shoot), 24 Why hit up one of its nights: It’s like attending an arty cool girl’s home party, but in a club setting – with everyone welcome and a light hearted and anything-goes mood. For one, the promo “poster” for its first instalment shared on social media (@y4kslashers) was intentionally designed to recall that of a ratchet circuit party in the early ’00s – badly Photoshopped images of the night’s DJs (the organisers and their pals) included. Held in January at D’Underground Bar & Club, an expansive yet low-key space in the bowels of International Building on Orchard Road, the set list was a mishmash of Manyao (Mandopop meets ’00s techno), Ugandan club music, spiritual trance, Youtube remixes and, for good measure, Kylie Minogue. The irreverent playlist is a far cry from the venue’s usual club bangers and the party itself an oddity within its routine, and that’s exactly what Guo and Cao want. Says the latter: “I think our first party was a good attempt at bridging the niche art crowd and the usual D’Underground audience. That’s not to say that these two groups have to exist as a dichotomy, but they most likely wouldn’t have met any other way. And that’s what Slashers is about: creating access points in otherwise impossible contexts.” The convivial community spirit extends to the DJ line-up. When quizzed on how they decide on who to helm the decks, Guo replies bluntly: “We don’t (curate). If your sh*t is good, hit us up and we’ll put you on.” The next party: Look out for their second edition later this month with the music geared more towards trance; location – and look of the promo poster – TBA.
 
My Reading Room

SLASHERS

Started by: Artist Zhiyi Cao (opposite), 23, and rising DJ/music producer Guo Leibing (he was unable to make our shoot), 24 Why hit up one of its nights: It’s like attending an arty cool girl’s home party, but in a club setting – with everyone welcome and a light hearted and anything-goes mood. For one, the promo “poster” for its first instalment shared on social media (@y4kslashers) was intentionally designed to recall that of a ratchet circuit party in the early ’00s – badly Photoshopped images of the night’s DJs (the organisers and their pals) included. Held in January at D’Underground Bar & Club, an expansive yet low-key space in the bowels of International Building on Orchard Road, the set list was a mishmash of Manyao (Mandopop meets ’00s techno), Ugandan club music, spiritual trance, Youtube remixes and, for good measure, Kylie Minogue. The irreverent playlist is a far cry from the venue’s usual club bangers and the party itself an oddity within its routine, and that’s exactly what Guo and Cao want. Says the latter: “I think our first party was a good attempt at bridging the niche art crowd and the usual D’Underground audience. That’s not to say that these two groups have to exist as a dichotomy, but they most likely wouldn’t have met any other way. And that’s what Slashers is about: creating access points in otherwise impossible contexts.” The convivial community spirit extends to the DJ line-up. When quizzed on how they decide on who to helm the decks, Guo replies bluntly: “We don’t (curate). If your sh*t is good, hit us up and we’ll put you on.” The next party: Look out for their second edition later this month with the music geared more towards trance; location – and look of the promo poster – TBA.

 
My Reading Room

Clothes Subjects’ own Location Canvas

My Reading Room

Leather jacket, Sandro All other clothes & accessories Subject’s own Location Al Capone’s Far East Shopping Centre

My Reading Room

THROUGH THE BACK DOOR (TTBD)

Started by: Graphic designer and digital marketer Erin Khan (pictured here), 24, who fronts the series with Tim Walker (not the lensman, but a private equity consultant based here); Vanan M, who is also entertainment director at Beach Road club Cato; and Fyan Hakimi, a security officer by day. Why hit up one of its nights: If you’ve ever been to the underground club Ved Siden Af in Copenhagen, you’ll know that the music – not the scene – is the priority, so much so that its bouncers tape patrons’ phone cameras in order to ensure privacy (or selfies, for that matter). With TTBD, its founders aim to infuse that same music-first ethos. Says Khan: “It’s not about a flashy spectacle, the way you dress up or a fancy bar. It’s about good music and a place where you shouldn’t worry about being judged.” It might explain its motley crew of a crowd that Khan points out spans everyone from art school kids to dentists to corporate types. TTBD also serves as a platform to support local talents and, in particular, female DJs such as Khan herself, who face sexism in the process of landing gigs. “One of the best shortcuts to counter that (sexism) is to throw your own party where you can be in charge of the narrative,” she says. On the playlist? Deep house and techno with each edition (every one is 100 per cent self-funded by the founders, and thus only takes place every three to four months) hosted at a different location. And relax, your phone camera is safe. The next party: Following its last bash at Al Capone’s bar at Far East Shopping Centre (where this shoot took place) in December, expect one this month (the location will be revealed a few hours prior).

Photography Tan Wei Te & Vee Chin Art Direction Jonathan Chia & Adeline Eng Styling Keng Yang Shuen Hair & Makeup Sha Shamsi & Zoel Tee
Clothes Subject’s own Location D’Underground Bar & Club