DANISH DELUXE

What’s better than having Wegner, Jacobsen and Poulsen pieces in your house? Scoring one of the vintage versions.

Portrait of Tammy Strobel

What’s better than having Wegner, Jacobsen and Poulsen pieces in your house? Scoring one of the vintage versions.

Danish heavyweights like Hans Wegner and Arne Jacobsen have long resonated with design-savvy homeowners in Singapore, who easily embraced the sculptural functionalism and fussfree elegance of their furniture. This increasing awareness of Danish design no doubt led to our very first Danish film festival earlier this year, a series of documentaries that highlighted architects, artists and designers, most notably a sell-out film about furniture designer Borge Mogensen.

Now, one business owner is confident that the popularity of Danish design has developed to the point where buyers are interested in provenance. Lynette Wong opened 1B2G in July this year, a store specialising in Danish designer furniture made between the 1930s and the 1970s.

“I spend a lot of time hunting down these pieces,” says Wong, who does her buying at trusted online auctions. “Establishing age is crucial so I look for the maker’s stamp. Changing manufacturer also helps you date the piece – those by the original manufacturer will always be worth more.”

It’s hard work but it’s clear that for Wong, the versions being made today cannot compare to their mid-century predecessors. “They used wood like Brazilian rosewood that they can’t use today because of sustainability issues,” she explains. “Also, they didn’t varnish their wood, which allows it to take on a beautiful depth of colour as it ages.” Wong also points out other things that have changed – like chair bases that used to be metal now being made of plastic, or parts that are no longer cast as a single piece.

“It took an experienced weaver three hours to do one of these back in the day,” she says, indicating a Hans Wegner CH23 chair with an intricately woven paper cord seat.

“They weren’t churning these things out in the thousands in the ’50s – they spent time on each piece and there was so much more attention given to hand-finishing.”

Not surprising that prices for some of the pieces can range between $20,000 and $45,000. But to Wong, it’s good value, given the tangible – and intangible – advantages of such furniture. “Things with a story are a great way to make your space individual, make it your own.”

1B2G is at The Modern Space, #05-04 Tan Boon Liat Building.

TEXT CHARMAINE CHAN

TOP PICKS

Wong spotlights her favourites in the collection.

 

My Reading Room

HANS WEGNER SWIVEL CHAIR

JOHANNES HANSEN
“The wood here feels like it’s all one piece but it’s actually joined. If you don’t dry the wood properly, it will never be so smooth.” 
My Reading Room

BODIL KJAER DESK

E. PEDERSEN & SON

“This is a standout because it’s in black African wenge which is very unusual. Look at the spectacular grain. The drawers go all the way to the end and are controlled by one key.”

TEXT CHARMAINE CHAN
My Reading Room

HANS WEGNER THE CHAIR

JOHANNES HANSEN
“This is often called the perfect chair because, ergonomically, it just works. Nixon and Kennedy sat on these chairs during their first presidential debate. These are by the original manufacturer, Johannes Hansen, and they are hotstamped on their base, which really adds to their value.” 
My Reading Room

ARNE JACOBSEN EGG CHAIR

FRITZ HANSEN
“You know this is from the 1960s because its leg is in one cast piece. They don’t make them like this anymore. The new ones would have the stem and base as two pieces.”